Elaborate a long saga like that of the Marvel Cinematic Universe without falling into contradictionsHowever large they are, it must be quite complicated. With twenty-four films and three series released, it seems easy for executive producer Kevin Feige and his writing team to miss something.
And that’s what happened in Black widow (Cate Shortland, 2021) with an important detail from Avengers: Endgame (Joe and Anthony Russo, 2019).
This mistake, on the other hand and coincidentally, is the same one that the Fast and Furious 9 writers, Daniel Casey and the director himself made, regarding the fourth installment (Justin Lin, 2009, 2021); to the point that it also influences what it means the dramatic base of the adventure they develop.
‘Black Widow’ and ‘Avengers: Endgame’: the families of Natasha Romanoff
The story of Black Widow, apart from the destruction of the Red Room and the perfidious Dreykov (Ray Winstone), centers on the reunion and reconciliation of Natasha Romanoff (Scarlett Johansson) with the one that had been his false family during their childhood: Alexei Shostakov (David Harbor), Melina Vostokoff (Rachel Weisz) and Yelena Belova (Florence Pugh). And the plot leads the protagonist to say that she has two families: this one and the Avengers, of course.
Unfortunately, your stated motivation in Endgame is to reverse the effects of Thanos’s (Josh Brolin) deadly snap to stop recover “the only family” who has. So, if the events of the twenty-fourth Marvel film occur between those of Captain America: Civil War and, therefore, before those of Infinity War (Russo Brothers, 2016, 2018) and Endgame, the very premise of Widow Black contradicts what moves Natasha Romanoff in her latest adventures.
In fact, his great sacrifice on the planet Vormir To achieve the Soul Stone, as Thanos emerges from Gamora (Zoe Saldaña) in Infinity War, it only makes sense if he does it for the sake of people whom he has come to consider his only family. So this obvious goof is not exactly mucus of turkey.
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