When a decisive event occurs to the characters of a television series and they scatter and then try to meet again, which has happened in The walking dead (Frank Darabont and Angela Kang, since 2010) several times whether they like it or not, the narrative divided by episodes in their different experiences offers writers greater narrative possibilities. And the juiciest is to take advantage of the minutes of footage that are dedicated to them in their own chapters to delve into the tribulations that torment them and thus enrich their emotional arcs.
With this perspective, “Rendition” (11×04) It does exactly the same in its beginning as the previous one, “Hunted” (11×03): part of the violent clash with the Reapers at the end of “Acheron, Part II” (11×02) to focus on one of the survivors. In this case, Daryl Dixon (Norman Reedus), whose seniority since “Tell It to the Frogs” (1×03) has made him the character who has participated in the most episodes of The Walking Dead; now, with his almost inseparable Dog.
The stories that come together in ‘The Walking Dead’
His skills acquired in these dantesque years of zombie apocalypse, facing the omnipresent threat of the walking dead and of people who have not succumbed, like him, but who cannot be trusted and his great resistance have. the favorite of not a few spectators of the television fiction of the AMC. Some of us prefer the interesting evolution of Carol Peletier (Melissa McBride), very close to the man with the black crossbow, but that is another matter.
Because the striking thing about “Rendition”, with which director Frederick EO Toye (Lost) repeats after “Hunted”, is that a stage in Daryl Dixon’s past, which went for a long time without explanation and that we did not know until the chapter “Find Me” (10×18), come back to surprise us as much as him; although it seemed foreseeable that it would happen on some occasion of this last season of The Walking Dead.
They could have left it for the third spin-off of the franchise in the works, after Fear the Walking Dead (Robert Kirkman and Dave Erickson, since 2015) and World Beyond (Scott M. Gimple and Matthew Negrete, since 2020), but they have continued with her here.
And this decision is coupled with a second swerve that Angela Kang (Terriers), with a script by Nicole Mirante-Matthews (Luke Cage), articulates in an intelligent way the stories previously separated from Maggie Rhee (Lauren Cohan), who had been absent since “What Comes After” (9×05) and came back in “A Certain Doom” (10×16), and Daryl Dixon himself; In the new plot of villainy.
Another dangerous messiah in the apocalypse
On the other hand, “Rendition” offers us effective compositions They blend well an intriguing planning, which shows and hides with selective focus and lighting, and an intense soundtrack by Bear McCreary (10 Cloverfield Street) and Sam Ewig (The Walking Dead: Red Machete); and a very useful monologue to understand what the jar is full of Pope, the character played by Ritchie Coster (The Dark Knight), and that connects with other concepts worthy of analysis as an easter egg that had already pointed out “Acheron, Part I” (1×01).
If you think about them, you can’t help but remember manipulative lighting of which Teddy Maddox (John Glover) boasts in the last installment of the sixth season of Fear the Walking Dead. And you would say at first that this new villain is less unbalanced than that of the serial killer and leader of an apocalyptic sect.
But later horror explodes just as the Governor (David Morrissey), Negan (Jeffrey Dean Morgan) in the old days or Alpha (Samantha Morton) and Beta (Ryan Hurst) more recently gave in to the arbitrariness of their dangerous violent impulses. So watch out for this other messianic Mangurrian.